The construction of the colonial subject in America made use of physical and epistemic violence against the other. This is the reason why it has been represented in the narratives of the conquerors or rulers according to the values of the cultural establishment. This ensemble of videos shows stories about unspeakable sins (abominable). Body, homoerotic desires and banned sexualities find here a representation of the nature and the intersection of historic times, a counterpoint to the values raised and defended by Catholic, white and heterosexual cultural regulations. Therefore, Motta’s work calls into question this representation of the subaltern subject who survives in the modern country, the one who has been replicated through institutions like the church, the school and the government itself.
Carlos Motta
Apoyan:
Artbo
Drywall de Colombia
Espacio Odeón
Hatsu
Kreanta
Instituto Superio Mariano Moreno
Fábrica de Licores de Antioquia
Instituciones Adjuntas:
Academia Superior de Artes
Banco de la República
Centro Colombo Americano
Centro de Desarrollo Cultural de Moravia
Fundación Universitaria Bellas Artes
Instituto Tecnológico Metropolitano
Museo Casa de la Memoria
Parque Explora
Univer
Universidad de Antioquia
Universidad de Antioquia