![\"\"](\"https:\/\/mde.org.co\/mde11\/wp-content\/uploads\/sites\/3\/2011\/08\/Antimuseo.jpg\" "\\"Antimuseo\\"")
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Since 1992, Antimuseo de Arte Contempor\u00e1neo have worked with mechanisms that seek to legitimize a work of art with a view to push back the borders of art institutions, as well as acting upon their structures and creating counter-audiences. This is a curatorial project undertaken by a non-profit organization led by Mar\u00eda Mar\u00eda Acha <\/a>and Tom\u00e1s Ruiz-Rivas.<\/p>\n The two worked under the name Ojo At\u00f3mico<\/a> on a site-specific program in an old factory in Madrid, Spain. Without their own premises, although now working under their current name, Antimuseo began to move among a number of environments: disused premises: houses, public spaces… In 2003 they settled in Madrid and began working on models of participation and contextualization of art within social settings. After the closing of their exhibition space in 2007, they focused their projects on public spaces, such as the Centro Port\u00e1til de Arte Contempor\u00e1neo<\/a> program in Mexico (2009) and the exhibition \u2018Mano a mano con el General C\u00e1rdenas\u2019 <\/a>(Hand in hand with General C\u00e1rdenas, Mexico, 2011), which consists of a series of pieces of work located at and around a monument to former Mexican president L\u00e1zaro C\u00e1rdenas.<\/p>\n Antimuseo\u2019s contribution to MED11 is a project they have undertaken in the field with the Centro Port\u00e1til de Arte Contempor\u00e1neo, a mobile unit designed to offer support to creative processes in public spaces.<\/strong> The project will be based on a workshop which will allow the involvement of a number of the city\u2019s artists and cultural and social agents.<\/p>\n The creators see this workshop as a pedagogical model which has \u201ca structure that everyone is aware of and which is highly practical in the complex work we have to undertake in just 3 weeks\u201d.<\/p>\n \u201cConsumption is the moment at which a significant work of art is produced\u201d.<\/strong> The Antimuseo Manifesto<\/p>\n Website<\/strong> Links of interest<\/strong> More <\/strong>information<\/strong> <\/p>","protected":false},"excerpt":{"rendered":" Since 1992, Antimuseo de Arte Contempor\u00e1neo have worked with mechanisms that seek to legitimize a work of art with a view to push back the borders of art institutions, as well as acting upon their structures and creating counter-audiences. This is a curatorial project undertaken by a non-profit organization led by Mar\u00eda Mar\u00eda Acha and Tom\u00e1s Ruiz-Rivas. The two worked under the name Ojo At\u00f3mico on a site-specific program in an old factory in Madrid, Spain. Without their own premises, although now working under their current name, Antimuseo began to move among a number of environments: disused premises: houses, public spaces… In 2003 they settled in Madrid and began working on models of participation and contextualization of art within social settings. After the closing of their exhibition space in 2007, they focused their projects on public spaces, such as the Centro Port\u00e1til de Arte Contempor\u00e1neo program in Mexico (2009) and the exhibition \u2018Mano a mano con el General C\u00e1rdenas\u2019 (Hand in hand with General C\u00e1rdenas, Mexico, 2011), which consists of a series of pieces of work located at and around a monument to former Mexican president L\u00e1zaro C\u00e1rdenas. Antimuseo\u2019s contribution to MED11 is a project they have undertaken in the field with the Centro Port\u00e1til de Arte Contempor\u00e1neo, a mobile unit designed to offer support to creative processes in public spaces. The project will be based on a workshop which will allow the involvement of a number of the city\u2019s artists and cultural and social agents. The creators see this workshop as a pedagogical model which has \u201ca structure that everyone is aware of and which is highly practical in the complex work we have to undertake in just 3 weeks\u201d. \u201cConsumption is the moment at which a significant work of art is produced\u201d. The Antimuseo Manifesto Website www.antimuseo.org Links of interest The Antimuseo Manifesto More information info@antimuseo.org Facebook Youtube Vimeo MDE11 participation<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"categories":[5],"class_list":["post-410","page","type-page","status-publish","hentry","category-laboratorio"],"_links":{"self":[{"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/pages\/410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/comments?post=410"}],"version-history":[{"count":0,"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/pages\/410\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/media?parent=410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mde.org.co\/mde11\/en\/wp-json\/wp\/v2\/categories?post=410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nwww.antimuseo.org<\/a><\/p>\n
\nThe Antimuseo Manifesto<\/a><\/p>\n
\ninfo@antimuseo.org
\nFacebook<\/a>
\nYoutube <\/a>
\nVimeo<\/a><\/p>\nMDE11 participation<\/h2>\n