Octubre 2015 - Marzo 2016

Artistes: c

The MDE15 works, selected by the artists to be exhibited in the conventional showrooms, will be set in the rooms of the Museo de Antioquia and its Casa del Encuentro (Meeting House), and the Casa de la Música de EPM (EPM Music House) located in the Parque de los Deseos (Park of Wishes). The MDE15 will also include some fleeting works made in different public spaces of the city.

The artists invited by the MDE15 under these two categories, alphabetically listed:

Camila Botero Colombia

Economic, social, cultural and political conditions contribute to the development of a city and the way it looks. Over time, each place develops a visual language. The result is an urban landscape full of tracks that usually help us to find our place. ¿What are those signs and symbols? ¿What are our ideas of the cities we do not know? In some cases, monuments are the ones that help us understand where we are and give us information about the history of that place, but in the most ordinary places of the city, where there are no famous statues or…

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Camilo Cantor Colombia

What are the differences between the lives of children in Oaxaca, Mexico and Medellín, Colombia? What can we learn if children from each country record sounds from their surroundings? Are the similarities in these surroundings? As we listen to the sounds that attract the attention of the children we not only perceive innocent explorations, but also the possibility that this innocence can be involuntarily affected by the recorded actions or activities. In the recorded acts and perceptions in Escuchas Paralelas the children give us other ways to consider our lives and the ways that we relate to our surroundings.

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Camilo Restrepo Colombia

Economic, social, cultural and political conditions contribute to the development of a city and the way it looks. Over time, each place develops a visual language. The result is an urban landscape full of tracks that usually help us to find our place. ¿What are those signs and symbols? ¿What are our ideas of the cities we do not know? In some cases, monuments are the ones that help us understand where we are and give us information about the history of that place, but in the most ordinary places of the city, where there are no famous statues or…

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Carlos Motta Colombia

The construction of the colonial subject in America made use of physical and epistemic violence against the other. This is the reason why it has been represented in the narratives of the conquerors or rulers according to the values ​​of the cultural establishment. This ensemble of videos shows stories about unspeakable sins (abominable). Body, homoerotic desires and banned sexualities find here a representation of the nature and the intersection of historic times, a counterpoint to the values ​​raised and defended by Catholic, white and heterosexual cultural regulations. Therefore, Motta’s work calls into question this representation of the subaltern subject who…

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Clara Ianni and Debora da Silva Brasil

Plea is a project realized in collaboration with Debora Maria da Silva, founding member of Movimento Maes de Maio – a social movement that unites mothers that lost their children in the massacres of the death squadrons of the military police during the military dictatorship in Brasil. The film is shot in the Cemiterio de Perus, on of the places used by the military junta to bury corpses in mass graves. Though the hegemonic narratives about Brazil might coincide with a festive imagery of progress, there is an urgent untold story that needs to be taken as object of reflection.…

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Claudio Perna Venezuela

This artist is a pioneer of conceptualism in Venezuela. Pernia has experimented with collage, photographs -including those taken by others under his instructions-, videos, photocopies, especially copies of parts of his own body and photo reports of police incidents; infiltrations or strategies of inclusion of his works, drawing and performance. He applied a convergent contemporaneity where emotions, academic knowledge, pedagogy, media and popular culture –local or foreign, significant or common- joined together under a visionary conception of the cultural geography that allowed him to be closer to socio-environmental issues. He named Coincident those artists who, just as he did, negotiated…

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Colectivo NoMaNada Colombia

NoMaNaDa answers the call to review ethical aspects of urban transformation processes from a place mixing urban and rural areas on the borders of Medellin, a typical environment of Latin American cities. They talk about the “charcoal makers”, who have worked for generations to supply themselves and the upper area of the city. With their installation located at the Museum and not far from it, in a moment that seems from another time, NoMaNada provides more questions than answers: “Who are they, which rural areas do they come from? Is their job nomadic, are they settled in small farmsteads? Is…

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Cráter Invertido México

Sorry, this entry is only available in European Spanish.

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